The Interbeing

Among The Amorphous The Interbeing

Debutalbummet, 'Edge of the Obscure', markerer THE INTERBEING som et veldefineret og visionært band. Pladen er resultatet af cirka tre års sangskrivning og en langvarig indspilningsproces. På ægte DIY vis, investerede bandet i det rigtige optagelsesudstyr, og tog i starten af 2010 indspilningen i egen hånd. Indspilningen af trommer blev lagt i hænderne på producer Jacob Hansen (Volbeat, Mercenary, The Storm, Hatesphere, m.fl.), der også tog sig af mix og master. Lydmæssigt kombinerer THE INTERBEING den tunge lyd i skandinavisk metal med de elektroniske genrers dystre atmosfære. Tight, aggressivt, melodisk og atmosfærisk er nøglebegreberne i deres lyd. Inspirationskilderne strækker sig fra Meshuggahs polyrytmiske og synkoperede univers, over de melodiske aspekter i Soilwork, til de dystre og slæbende elektroniske klangbilleder, man finder hos Massive Attack og den brasilianske samplekunstner Amon Tobin, for slutteligt at ende op med en slags Industrial metal i Fear Factorys ånd. Lyden går hånd i hånd med teksterne, der kredser om et fiktivt indre væsen, som man følger gennem dystopiske verdener for til sidst at nå frem til kanten af det obskure. Med 'Edge of the Obscure' har THE INTERBEING skabt et hårdtslående og gennemført album.||||English description: The debut album 'Edge of the Obscure' clearly underlines THE INTERBEING to be a well-defined and visionary band. The record is the result of three years of songwriting and a lengthy recording process. In a true DIY manner the band invested in the best studio equipment and began the album recordings in the beginning of 2010. The drums were recorded at Hansen Studios with producer Jacob Hansen, (Volbeat, Mercenary, The Storm, Hatesphere, etc.), who also took care of the mixing and mastering.||||Sonically THE INTERBEING combines the heavy sound of Scandinavian metal with the gloomy atmosphere of electronic genres. Tight, aggressive, melodic and atmospheric are the key concepts in their sound. The band’s sources of inspiration range from Meshuggah’s polyrhythmic and syncopated riffs to the melodic aspects of Soilwork, and the bleak electronic soundscapes you find in music such as Massive Attack and Amon Tobin. Lastly the outcome resembles a sort of Industrial metal in the style of Fear Factory. The sound co-exists with the lyrics which revolve around a fictional inner being. The listener follows this creature through dystopian and distinct worlds and the record ends with the creature reaching the edge. THE INTERBEING has created an intensive and hard-hitting album with 'Edge of the Obscure'.||